Praise To The Godlands (2024-Ongoing)
Praise To The Godlands (2024-Ongoing)
Year of completion: 2024
Medium: Mixed-media textile art
Size: 236cm x 396cm
Additional information: Exhibition view from Encounters, Black Rock Senegal group show at Centre Culturel Blaise Senghor, Dakar, Senegal, for the OFF of the 15th Dak’art Biennale 2024, curated by Dr Jareh Das.
Materials used: East African Macawis (sarong) in cotton, and spun silk. Embroidered canvas print self portraits & archival family photos, collected family memorabilia (maternal and paternal grandmother's buttons, doilies, broaches), embroidered found objects (rice bags).
In conceptualizing this piece, I was drawn to the mnemonic qualities of textiles particularly the relationship they’re able to tease between loss & memory. I chose the macawiis fabric for its hybridity, a textile rooted in cultural exchange, a textile rooted in the reimaginings of conventional notions of masculinity .
This piece is my first foray into a larger body of work/ a new world I hope to create & inhabit, the creation of an origin story through cloth. In it I am interested in the ways in which we account for the omission of bodies & histories deemed peripheral; irredeemable. I am interested in studying the silences that exist in language, what they represent what is being omitted, what is unsayable?
“We have little time to please the living. We have an eternity to love the dead.”
-Sophocles Antigone
Installation views This Year I Vow To Make A Monument Of This Body (2024
Details from This Year I Vow To Make A Monument Of This Body (2024)
“What does it mean to defend the dead? To tend to the Black dead and dying: to tend to the Black person, to Black people, always living in our push towards our death?”
-Christina Sharpe
Self portraits from This Year I Vow To Make A Monument Of This Body (2024)